Victor Frankenstein Essay Example for Free

Victor Frankenstein Essay His horror at how playing God has backfired is exemplified more by associating his creation with Dante and hell, whilst also referring to him as a demoniacal corpse, showing tremendous contrast from his original intentions. Because the reader doesnt yet know what (if anything) is going through the mind of the monster, it is only natural that they can sympathize with Frankenstein, and pity him in his fear and disappointment whether they believe him to be foolish and arrogant or not. After him being occupied with nothing but his work for so long, the arrival of Clerval serves as a reminder to the reader and Frankenstein of his family back home, bringing back an element of normality in Victors thoughts. When he falls ill, he is cared for and written to, showing that no matter how much he may have neglected his family he is still lucky to have them to care for him, whereas his monster has nothing and nobody. The next time we hear from the creation is when Victor encounters him on his way to Geneva. Without any real evidence, he immediately blames his fiend for the murder of William and is no less than degrading with his description of him. Saying that a flash of light illuminated the object quickly gives us an impression of the creature being sinister, as we normally associate lightning with being threatening. The fact that Victor objectifies his creation also shows how he is looked upon by his creator as a simple thing that only resembles a living being. Throughout the next few chapters, Shelley makes us feel sorry for Victors family and possibly Victor himself by using the death of Justine and William effectively. When it seems clear to Victor that these two people have died because of his actions, he has an epiphany-like moment. Besides from the initial thrill and enthusiasm he first felt; Victor knows that his dream has caused him nothing but pain. He says that his guilt hurried [him] away to a hell of intense tortures, such as no language can describe, this is certainly giving us the impression that he feels sorry for himself. He becomes angry at his creation: I gnashed my teeth, my eyes became inflamed even though he has no proof that the fiend had anything to do with the murder, he curses him for it without any doubt. However he also reflects that I , not in deed, but in effect was the true murderer. This is showing how Victor is coming to take responsibility for his actions and suffering in shame for them. Having walked into the mountains and met his creature, he threatens and insults him; labeling him as a vile insect and stating his desire to trample him. He condemns the monster in such a way, although if there were other people who knew about his experiments and results, it could be that he would be condemned too. The creation replies that as long as they both exist they are bound together and that Victor has a duty towards him as a creator even if he has been so far abandoned. Not really acknowledging what his creature said, Victor becomes then so angry that he throws away an amount of dignity and begins attacking his creation in vain. His enraged turn to physical violence while the creation only wishes to talk shows a darker side of Frankenstein and is an interesting comparison as the monster doesnt want to set himself in opposition. He likens himself to Adam and the fallen angel; again hinting at Victors old desires of playing God, as well as the fact that he greeted his creation with the word devil. Likening Geneva to Eden, and the Creation to be the forbidden fruit, Victor also plays the role of Adam, who lived in paradise before the temptation for more caused him to lose what he had. The monster uses words like abhor, spurn and detest frequently, which embellishes his anguish further. The creation asks Victor: Will no entreaties cause thee a favourable eye upon thy creature, who implores thy goodness and compassion? This is clearly a rhetorical question, and it tempts the reader again to doubt Victor and consider how he seems to be selfish and doesnt recognize his creature as a being capable of thought and emotions. You accuse me of murder; and yet you would with a satisfied conscience, destroy your own creature. This gives the impression that the monster knows Victor sees him as sub-human, and not allowed regular justice as is given to normal people. Here Frankenstein uses the word wretched to describe himself rather than his creation, which leaves the reader to compare these two characters further still. Defeated in knowing that if he did not listen to the fiend, his life would most certainly become more miserable; he finally accepts responsibility and lets the creature tell his story. It is likely that Shelley uses the oxymoron-like term odious companion to express the start of Victor having mixed feelings other than hatred towards his creation. Although superhuman in abilities and monstrous in appearance, the Creation is shown to have all of the emotional traits of a human being. As mentioned previously, after he is first brought to life his mind resembles that of a child and he learns and develops knowledge the hard way. When he is talking about the time directly after he was created; although it is not said directly, Shelley uses short phrases fragmented frequently by commas to give a sense that the creature is bewildered. I was a poor, miserable, helpless wretch I sat down and wept. Because he doesnt understand anything and is left to roam outside with only whatever thoughts instinctively occur within him, he is incredibly frightened and like a teething child; he can only weep. As he becomes accustomed to the world he grows to be curious about nature, which he doesnt yet know that he is contrasted against, and this natural beauty inspires him initially to do good things. When he attempts to imitate birdsong, he realizes that the sounds he makes are uncouth and inarticulate; he is frightened by the sound of his own voice. He is shown to have a likeness to prehistoric man in that he has to learn everything himself. His first encounter with a human other than his creator is an anonymous old man. Upon seeing the creation, the man flees immediately, afraid. This happens again on a larger scale, when he enters a village he is rejected and chased out with weapons purely based on his appearance. This gives the creation a skewed view on humanity and leads him to start questioning himself and what he is. Soon after him being driven from the village he first sees the members of the DeLacey family, and is shown to have yet more human characteristics and emotions. I felt sensations of a peculiar and overpowering nature: they were a mixture of pain and pleasure such as I had never experienced. When he beholds the music played by the old man to the young girl, he is overwhelmed by the beauty of what he sees and displays empathy. It is here that he also experiences a desire to have friends and later suffers from pangs of guilt when he secretly takes food from the family in order to feed himself. The creation shows his sympathy and willingness to do good things when he gathers firewood for the family. His behaviour is altruistic, with him gaining nothing except to be able to watch how happy he has made the family by helping them. While staying around the house of the DeLacey family, his personality changes according to experience, whilst he slowly realizes the extent to which he is different from them and everyone else. He begins to refer to them as my cottagers, feeling a human sense of attachment to them, even though they are oblivious to his being there. His deformity betrays him when he makes out his reflection in a pool of water, and he realizes why people have fled from him, but still wonders what it would be like if he could keep the family in high spirits. As well as Shelley using these kind deeds to elevate him above Victor, it is noticeable how the creation constantly admires natures beauty, whereas when Frankenstein is building him, the creator simply ignores the scenery and environment around him. His aspiration to do kind things drives the monster to learn to read, and when he finds several books in the woods, he is led by them to ask himself whether or not he has an ultimate purpose, or any purpose at all. This ongoing existential crisis could be debatably the same for humans also, but it has a great effect on the creation because he knows he is different from anything within the books he has studied. He declares himself as a blot upon the earth and curses his creator whom he realizes he did not ask to create him. The main turning point for the monster is during his brief meeting with the blind old man of the DeLacey family. By this point in the novel, Shelley has shown us how his need for emotional warmth has swelled hugely, much as Victors anxiety that almost amounted to agony, shortly before he was to become heavily disappointed also, and drawing yet another comparison between the two protagonists. The creation is well spoken when he finally comes to have a conversation with a member of the family, showing how much effort he has put into his quest for company. The fact that to the blind man he seems like any other normal person helps Shelley to create more sympathy when he is eventually driven away. The creation tells the old man how he tenderly loves the cottagers, confirming the feeling of attachment which has only been hinted at before. But they believe that I wish to injure them, and it is that prejudice which I wish to overcome. This quotation shows how the monster has learnt exactly why he is rejected by human beings, but still hopes that he can salvage some friendship from them. The old man says to him how there is something in his words that persuades him that he is sincere, embellishing further the point that the creation is perfectly capable of passing as a human without his visual deformities. When the two young members of the family return, however, the creation is clinging to the legs of the blind man in a desperate flail for help. The aforementioned prejudice against him causes his actions to be misinterpreted much like earlier in the novel when Victor thinks that the fiend wished to detain him. With his hopes destroyed, the creation grows incredibly angry with human beings and declares an everlasting war against them. After how he has been treated this decision seems like a fair one, as they seem to be the source of all his anguish. There is a strange balance between him and humanity in that although to him they appear to be beautiful creatures that he only wants to interact with; their actions toward him are always negative. Whereas the creations actions toward mankind are at first positive, and to them he appears to be a vile and hideous monster to be scorned and avoided. He insinuates this himself when he finds the locket containing a picture of Elizabeth. I was ever deprived of the delights that such beautiful creatures could bestow in regarding me, would have changed that air of divine benignity to one of expressive disgust and affright. This is exemplified again when he rescues a young girl from drowning and is shot in return; again only trying to do good but seeing his own benign actions misinterpreted. This then leads him firstly to attempt to kidnap William, who even as a young child is shown to be prejudiced against him. To the reader his decision to kill who he knows to be a relative of Frankenstein seems less shocking because of his miserable story so far. Being kind to humans has only resulted in their rejection of him, and so it seems almost justified that he should take the opposite direction. After the deed is done, he tells how his heart swelled with exultation and hellish triumph and goes on to mention how he will enjoy punishing his creator further. Here is the creations transformation into the vengeful being that he is seen as to other characters. When the creation asks for his own companion it is no surprise due to his attitudes toward the creation so far that Victor initially refuses. It is easy for us to be compassionate toward the monster, because he only wants what we has humans mostly want, and that is to not be alone. He does not ask for much, and is willing to be banished and cast away by humankind if he can only have an Eve for him as Adam. As the story in this segment is told from Victors point of view, it contains much less sympathy and we see the creation again from the prejudiced human point of view: his face was wrinkled into contortions too horrible for human eyes to behold . However, Victor eventually softens to the creations plea, and sees good logic in keeping him contented, accepting responsibility for what he has created. I sometimes felt a wish to console him; but when I looked upon him, when I saw the filthy mass that moved and talked, my heart sickened This shows consideration for the monster but this time from Victors point of view. It is again reiterating how other than his appearance and strength, the monster is just like a human, and is capable of feeling emotions and receiving pity. Doubts about the benefit of creating a companion begin to manifest themselves in Victor as he grows nearer to creating his second creature. Unlike the first time he carried out this task, his heart is not in it as he knows that what he creates will be nothing like his original intentions that he had years ago. Just as now all Victor wishes to do is to settle down with Elizabeth, the creations only desire is to have a partner also. It is ironic that after Victor destroys what was to be the monsters companion, the creation says how despite Victor being his creator, he is his creators master. The creation is clearly mortified and crushed by Victors actions, knowing that he has been condemned to suffer alone, even after enduring incalculable fatigue, and cold, and hunger. Victor remains inexorable despite all of the creations threats and in the heat of the moment doesnt seem to care that this choice will probably be his own undoing. Strangely, when being tortured by the fiend, as well as being consumed by guilt, Victor is faintly selfish. He says no creature had ever been so miserable as I was although to the reader it is glaringly clear that the monster has been lonely much longer than he has, and that if the creation is trying to prove a point to his master, then Victor is stubbornly refusing to take note of it. When everything dear to him is lost, he sees that his only remaining duty is to destroy what he has unleashed on the world. His dedication to his final quest is shown at the beginning of the novel, where Waltons description of him shows us how he has driven himself to death. His limbs were nearly frozen, and his body dreadfully emaciated by fatigue and suffering. I never saw a man in so wretched a condition. Here the word wretched is used again, this time to describe Victor, and not the creation, and yet another time Victor has become emaciated by his obsessive want to achieve something, compared with how he became as he was building his creature. Not long before his death, Victor shows us how despite his stubborn nature, he admits that he has failed, and tries to teach Walton that he should avoid ambition. Even if it is too late, this shows a great change in Victors character and his view of the boundaries of humanity before he passes away. The creation boards the boat and recounts some of his point of view to Walton when he discovers his creators demise. In his closing speech, the creation talks about all of the death and destruction that he has wrought. Think you that the groans of Clerval were music to my ears?